The final book of the Old Testament and last of “The Twelve” minor prophets is more intelligible, brilliant and beautiful once its internal logic is recognized.
This psalm of David is so well-known that parsing its Covenant-literary structure is like seeing an old friend in a new light.
A Grammar of Creation An understanding of the visual-musical language of the Bible must begin with Genesis 1. This is fortunate, because when explaining biblical types to...
The Historical-Grammatical Nanny State Typological interpretation is either abused or frowned upon, a domain relegated to mystics and charlatans, where the angels of modern academia fear to tread....
“Make yourself right at home in the Garden, Tabernacle and Temple…
Like all the best stories, the strange account of the disobedient prophet in 1 Kings 13 says so much more because of what it does...
Genesis 9 does not tell us what Ham’s intention was when he “saw the nakedness” of his father, Noah. Did he steal Noah’s robe...
“Psalms 1 and 2 are chiastically arranged in order to show that the Blessed Man from Psalm 1 is the Son, the King, of...
We saw that the content of Genesis 2 is meticulously arranged as a “social” version of Genesis 1, that is, a human temple. However, the formula is triune,...
In Luke 1, Mary’s song sounds nothing like Christmas as we understand it. This is because Mary understood Christmas in its covenant context. Here,...